Hello to you all and welcome to my first blog post.
I was motivated to put finger to keyboard after being shortlisted for the GFF trailer competition for which I owe a big thanks to the folks at ISO and GFF for being able to read my handwriting and for seeing some potential in my ideas. I hope once I get together with Mark and Clyde at ISO I’ll be able to push the concept in new and interesting directions.
We just had our first project meeting today where we met the lovely ladies of the GFF and the equally lovely Paul from DigiCult who talked us through the aims of the project and how things would progress over the coming few weeks. We also had the chance to share the ideas that got us shortlisted and to hear what the GFF people liked about them. I won’t reveal any of the other entrants ideas as I’m sure they’ll be posting them themselves here on cSta soon, but I will say that they’re all pretty damn good. I have to say I have my work cut out to be in with a chance of winning this!
So, what is my concept for the trailer I hear you all ask!? Well, in the spirit of this website I’ll post my entire pitch for you to read through.
Glasgow Film Festival – Film bringing colour to Glasgow / life
The Glasgow film festival is a celebration of film. Film brings us closer to events we would otherwise never experience. Film exposes us to emotion, drama, knowledge, excitement and unforgettable experiences; film brings colour to our comparatively limited and boring lives (ie when was the last time you dropped into Charlie’s chocolate factory or boated up the Mekong to take on Colonel Kurtz!?). The trailer I am proposing aims to illustrate this simple concept by showing a series of recognisable views around Glasgow; filmed in high contrast black+white. Over the duration of the 30 second trailer, elements within each view; ie buildings, furniture, people, etc flicker in and out of colour and pattern in time with the soundtrack; increasing in frequency and intensity until the end when the once mundane black and white scenes have become a cacophony of colour and sound amongst which the GFF logo will form along with the requisite text; dates, website and title(with sponsors logos beneath).
I’ve prepared a rough example of one approach to this colour and animation which you can find in the .mov file accompanying this document. I should point out that the music I used was not representative of the style I would prefer for the final work as it’s too much of a 4×4 rhythm; the aim of this was merely to demonstrate how footage could be chopped up and animated. In terms of a stylistic approach, for this example I used the colours of the GFF logo as a starting point which led to the neon colour scheme. .
As for locations, I would propose a mixture of classic Glasgow views (Buchannan St, Central Station, the Motorway, and views of the venues that will be used for the GFF.
The soundtrack would be positive and uplifting. Beginning from a humble beginning but growing in strength and depth towards the climax. The music of Forss (eg http://soundcloud.com/forss/journeyman) is probably the closest example to the style I have in mind. Electronic, melodic and contemporary.
The trailer would be created using a mix of live action footage; shot either at normal speed or timelapse, and digital motion-graphics. The graphic elements will be added using the compositing package After Effects. Given the festival is featuring a Japan retrospective, it could be relevant for the graphics to be inspired by Japanese graphic styles/conventions.
Patrick Macdonald is a CG motion-graphics artist and illustrator specialising in photo-realistic 3d imagery and animation. Patrick trained in both the Edinburgh and Glasgow schools of art as an architect before becoming a freelance artist and animator. Although largely working in the commercial sectors of construction and marketing, Patrick is currently looking for more artistic opportunities in film and broadcasting.