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In his work Land, Krijn de Koning makes familiar works disappear from view, or manifest in surprising ways, in a series of platforms encasing several iconic works from Edinburgh College of Art’s cast collection.

Venus de Medici, photograph by Kat Gollock

The Venus de Medici cowers in the corner. The Nike of Samothrace is buried up to her thighs, her wings at head height. Discobolus roots around underneath the raised platform’s plywood floor. The Venus de Milo and Spinario also make appearances.

Nike of Samothrace, photograph by Kat Gollock

The Sculpture Court, photograph by Kat Gollock

Krijn de Koning’s structures offer new possibilities to navigate and experience the space they inhabit. This new work has been developed for the Sculpture Court at Edinburgh College of Art, who are co-commissioning this work. Typical of his practice, Land initiates a direct dialogue with the hosting space.

A site for several Parley events during the festival, de Koning’s latest work offers an active platform for framing questions, and excavating and exploring ideas.

Talk on the platform, photograph by Kat Gollock

Parley events still to come:

Krijn de Koning in conversation with Edward Hollis
Krijn de Koning will discuss his work and its implications with architect, teacher and writer Edward Hollis, author of ‘The Secret Lives of Buildings’ and ‘The Memory Palace: A Book of Lost Interiors’.
27 August, 6-7pm, free

Parley Discussion: Tae Think Again, Rethinking Identity in Contemporary Scotland (curated by Rachel Maclean)
Responding to the upcoming 2014 referendum on Scottish Independence, this symposium curated by artist Rachel Maclean intends to delve deeper than a simple yes/no debate and look at the broader social, cultural and historical background to a discussion of contemporary Scottish national identity. The event will begin with a screening of the artist’s recent work The Lion and the Unicorn.
31 August, 2-5pm, free

Talk on the platform, photograph by Kat Gollock

Read more at www.edinburghartfestival.com.

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