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	<title>Central Station &#187; Knife Edge Press</title>
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		<title>Cooper Gallery Blog</title>
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		<pubDate>Tue, 10 Sep 2013 06:30:37 +0000</pubDate>
		<dc:creator>guest</dc:creator>
				<category><![CDATA[Featured Blogs]]></category>
		<category><![CDATA[Bruce McLean]]></category>
		<category><![CDATA[Cooper Gallery Blog]]></category>
		<category><![CDATA[DJCAD]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Knife Edge Press]]></category>
		<category><![CDATA[Mel Gooding]]></category>
		<category><![CDATA[review]]></category>

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		<description><![CDATA[Responses, recollections and reviews to Cooper Gallery's current exhibition]]></description>
			<content:encoded><![CDATA[<p>The Cooper Gallery Blog holds the views, reflections, documentation and ideas from a wide group of authors, all involved in being active audience members for Cooper Gallery at <a href="http://www.exhibitions.dundee.ac.uk" target="_blank">DJCAD</a>. <a href="http://coopergallerynotes.blogspot.co.uk/2013/09/responses-to-knife-edge-press-complete.html" target="_blank">This post </a>presents the ongoing collection of responses, recollections and reviews of <em>Knife Edge Press: The Complete Works (so far) &amp; Invisible Residency</em> written by Cooper Gallery Assistants and audience members.</p>
<p><a href="http://coopergallerynotes.blogspot.co.uk/2013/09/responses-to-knife-edge-press-complete.html" target="_blank"><img class="alignnone size-full wp-image-22755" title="Knife Edge Press Installation Detail" src="http://thisiscentralstation.com/wp-content/uploads/2013/09/knife_edge_installation_detail.jpg" alt="Knife Edge Press Installation Detail" width="960" height="539" /></a><br />
<em>Knife Edge Press: The Complete Works (so far) &amp; Invisible Residency installation detail</em></p>
<p>Below are excerpts from some of the responses, recollections and reviews of <em>Knife Edge Press: The Complete Works (so far) &amp; Invisible Residency</em> received so far:</p>
<p><em>I previously worked with Bruce in 2011, as part of the Exhibitions DJCAD team, on a large-scale project ‘a comic opera in three-parts’ entitled ‘<a href="http://www.dundee.ac.uk/djcad/exhibitions/exhibitions/cutascratchascore/" target="_blank">A Cut A Scratch A Score</a>’ and was intrigued to discover another facet to Bruce’s creative repertoire in a partnership which has spanned nearly three decades.</em><br />
<strong>Holly Knox Yeoman</strong></p>
<p><em>What struck me about this exhibition was how the idea of a book can be adapted to fit whatever is its purpose, in this case an artwork. The exhibition is largely made up of books, which is not normally what you would expect from an art exhibition.</em><br />
<strong>Katy Christopher</strong></p>
<p><em>This year&#8217;s Cooper Summer Residency is an Invisible Residency, where both Bruce and Mel converse, daily, via email which is then displayed each day at the exhibition. Conversations are really fun and down to earth as they bounce ideas off one another.</em><br />
<strong>Lauren Howat</strong></p>
<p><em>But there is something unmistakably unique in Bruce and Mel’s collaborations, a colourful element of humour and playfulness in their work that provides a very humane context for a variety of investigations, ranging from the pragmatic (Ladder: ordinary object; humble; necessary) and laudatory (Potato: Peru’s greatest legacy to the world; an object of contemplation), to the metaphorical and ecstatic (Scone: No scone without fire. Potato: Skull-like / memento mori. Ladder: Breughel’s ladders are the tongues of Babel.)</em><br />
<strong>Lucas Battich</strong></p>
<p>Continue reading the exhibition responses online <a href="http://coopergallerynotes.blogspot.co.uk/2013/09/responses-to-knife-edge-press-complete.html" target="_blank">here</a>.</p>
<p><a href="http://thisiscentralstation.com/featured-event/cooper-summer-residency-2013-invisible-residency-with-mel-gooding-and-bruce-mclean/" target="_blank"><em>Knife Edge Press: The Complete Works (so far) &amp; Invisible Residency</em></a>, showcasing the artists&#8217; books of Bruce McLean and Mel Gooding can be visited in Cooper Gallery, Duncan of Jordanstone College of Art &amp; Design, Dundee until 21 Sept 2013.</p>
<p><strong>More:</strong> <a href="http://www.exhibitions.dundee.ac.uk" target="_blank">Website</a> | <a href="http://coopergallerynotes.blogspot.co.uk/2013/09/responses-to-knife-edge-press-complete.html" target="_blank">Blog</a> | <a href="https://www.facebook.com/CooperGalleryDJCAD" target="_blank">Facebook</a> | <a href=" https://twitter.com/ExhibitionDJCAD" target="_blank">Twitter</a></p>
<p>///</p>
<p>Also opening this week:<br />
<a href="http://www.dundee.ac.uk/djcad/exhibitions/exhibitions/cut-and-paste/" target="_blank">Cut and Paste: Investigating the materiality of information &#8211; Student Curatorial Team</a></p>
<p>Katy Christopher, Lucas Battich and Dan Shay are members of Exhibitions Student Curatorial Team and will present Cut and Paste: Investigating the materiality of information, an exhibition that investigates the materiality of information today curated in response to Knife Edge Press: The Complete Works (so far) and Invisible Residency.</p>
<p>Preview: Thursday 12 September 5-7:30pm<br />
Exhibition continues until 28 September<br />
Cooper Gallery Project Space is based in Crawford Building, Duncan of Jordanstone College of Art &amp; Design.</p>
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