What:
Moby Dick Big Read celebrates the 161st anniversary of the publication of Moby Dick. This is an online version of Herman Melville’s masterpiece: each of its chapters read by a mixture of the celebrated and the unknown, broadcasted online in a sequence of 135 downloads, publicly and freely accessible. Tilda Swinton, Stephen Fry and Simon Callow have all recorded chapters from Moby Dick for you to listen to here.

This book foresaw many of the aspects of the modern world from the abuse of power and belief; of nature and the environment to the overweening ambition and delusion of one man. It deals with art and artifice and stark reality – in an almost existential manner.

Why we like it:
Each chapter can be listened to online or downloaded to mobile devices. The chapters all feature an accompanying artwork from an array of artists such as Turner Prize winner, Mark Wallinger, Linder and Zaha Hadid Architects. With new chapters added daily, your journey to work in the mornings can now be much more enjoyable.

There are also a variety of associated events which you can view here.

Find out more:
Website | SoundCloud | iTunes | Podcast Feed | Facebook

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For more creative delights we’ve Spotted on the web take a look here.

The history of Tramway official starts in 1990, with the Capital of Culture. The connections made in that year led to an ongoing programme of performance that included regular visits from Peter Brook, Robert Lepage, Les Ballets C de la B and Belgium’s Victoria. In the past five years, Tramway has entered a new phase. The addition of a Hidden Garden out the back, the arrival of Scottish Ballet in a purpose built wing and a new emphasis on community engagement – much in the fashion of contemporary art policy – suggest that Tramway is moving in a new, dynamic direction.

There are two “theatres” within Tramway: the majestic T1, dominated by the apparently ancient red wall, built for the Mahabharata; the more intimate T4, a long, versatile space ideal for solo and immersive performance.  The stage in T1 is large enough for an opera house, and has hosted large scale ballet, opera and even orchestras. T4 was, for many years, the home of Into The New, the graduating programme of the Royal Scottish Academy’s contemporary performance degree.

Despite a location away from the city centre, Tramway has a profile that extends beyond the city. Its support of choreography that is more usually found in major venues, such as Sadler’s Wells, has made it something of a cult within the dance community. Aside from the visitors, it has supported local and emerging artists through a series of schemes. This heritage is reflected in the new dance studios, that offer residencies for artists like the goddess Iona Kewney or punk icon Linder.

During the IETM, Cryptic present Orlando – also part of Glasgay!  An appropriate choice, as Cryptic’s artistic director Cathie Boyd was inspired by Tramway during the year of the City of Culture. Her willingness to make large scale theatre, that pulls on opera, technology and elaborate staging echoes the diverse companies that have graced the former tramshed.

Both a fine example of how industrial spaces were occupied by the arts when traditional industries began to disappear, and an ongoing experiment in linking performance, visual art and public space, Tramway is worth a visit for far more than just a show. The Hidden Garden is a small oasis in a very urban city, the use of the cafe by the local community reveals the various creative groups at work. A brief tour unveils art classes and the rehearsals of Junction 25, Scotland’s most experimental youth theatre. A building so idiosyncratic can never be an emblem of Glasgow’s culture, yet it represents the best of the West Coast: individual, lively and constantly surprising.