Plastik is a Dundee based art collective which produces a publication with content generated by an open submissions process. It is published bi-monthly with the next issue due out at the end of August.

Originally a bedroom zine project initiated by Kieran, the members of the collective have had a couple of different iterations but currently consist of Aylson Stewart, Emma McCarthy and Kieran Milne who all study at Duncan of Jordanstone.

I started Plastik in the winter of 2013 as a solo project to pass the time during the winter holidays. I had recently started my undergraduate degree at Duncan of Jordanstone and had a number of 35mm photographs which I wanted to use for a project. The original intention for the zine was going to be a monthly publication of my own work but after finishing the production of the first zine I realised it would be too much work on top of my studio practice. I started a Facebook page and opened the next issue up to submissions relating to the theme of “Animals”. I got a pretty good response but was still having to add my own work into the zine anonymously to bulk out the issues. It was around this time that the Dundee based zine collective Yuck n’ Yum were holding a “Zine Idol” event and one of the requirements was that there had to be three or more members to apply. I ended up enlisting the help of other Dundee based artists to assist in the production of the publication. We didn’t end up winning the competition but the guys at Yuck n’ Yum have become sort of “Dundee Zine Scene” mentors to us. With the other people on board the work load became easier to deal with and we hosted our official launch party at Generator Projects. We had two issues and the event would act as the launch of both the 3rd issue and the collective as a whole. The Plastik launch party consisted of a group show at Generator Projects and included the work of past contributors – if you had sent work for the zine, then you could put anything you wanted in the show, no questions asked. It was a great success and placed us firmly on the radar of the Dundee creative scene.

After our success at the Generator event we became good friends with the Committee of the artist-led space and have used it for pop-up events such as the Scumbag Filmclub and also collaborated with them with a film screening for the BFI Days of Fear and Wonder Science Fiction festival. We have also collaborated with Yuck n’ Yum for the Dundee based NEON festival closing party where we produced a series of publications made during the party which were filled with content from the night and printed on site.

We plan on continuing to produce Plastik bi-monthly and still engage with the arts scene in Dundee, facilitating discussion and engagement with a variety of cultural and artistic practices.

We are currently taking submissions for our 9th issue, the theme is The Body/Bodies and submissions can be sent to plastikzine@outlook.com. You can read past issues of Plastik on Issuu here.

For more from Kieran, have a look at his recent DJCAD Degree Show review on Central Station here.

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The build up to the degree show is always an exciting time at any art school; there is a palpable mix of nervous tension and creative energy flying around the corridors. There are always tears during install week, but these are soon brushed aside as the young artists knuckle down to finish what needs to be done.

The opening night acts as an orgasmic release to the weeks of tension. Results are in, awards are given and the newest crop of emerging artists take to their favourite drinking holes and clubs to celebrate the last four years of hard graft.

Daniel Dowling’s (fine art) sculptural work on show comprises a delicate balance of a keen aesthetic eye and a mature material sensibility. Dowling’s use of ceramics, casting and delicate pigment powder evoke natural textures and forms. Strange twisting forms bring to mind branches or antlers and sheets of textured plaster scales conjure up the rough surface of pine bark. Dowling’s work manages that intangible quality of drawing inspiration from an idea or form but not seemingly being “about” that thing, leaving space for personal interpretation and room for thought.

Struan Teague

Struan Teague’s* (fine art) dynamic range of works takes this to the next level, his combination of monumentally large paintings, smaller prints and artist books are a more than competent exercise in pure abstraction and beautiful, gestural mark making. Really great painting is hard to find these days but Teague has seemed to nail it. Flicking through his various books and publications it is easy to see why, this young man is incredibly prolific in his field and his range of experimentation with his work bodes well for the future of his practice.

This example of masterful handling in a chosen medium is continued in the short film Solium by Michael Hunter and Robbie Gray (Time based art and Digital Film). Solium consists of several short vignettes linked together by a man and his bathtub. Odd as it may sound, the rich, all encompassing soundscape and beautifully directed shots combine into a magic and surreal journey through various landscapes including a fantastical mist filled forest, a lonely beach and a hilltop in the grips of late winter.

Lewis Bissett

Another from the Time Based Art crop is Lewis Bissett’s tongue in cheek ode to the freemasons by way of the Scottish young team subculture. Bissetts’s work consists of an abstracted shrine setting with plaster cast footballs painted in popping primary colours, a strange eye at the top of a pole, conjuring images of the all seeing eye of the freemasons, alongside three stained glass windows and a banner depicting the insignia of the “New Young Masons”. On the ground are strange marks reminiscent of football pitch markings. Bissett’s work seems on one hand to build up the glory of his invented narrative but on the other highlights the faded grandeur of Masonic Lodges with faux-marble decorations and reclaimed church pews.

David Mackay

One of the standout sculptural pieces on display is David Mackay’s Standing Reserve. This formidable sculptural work consists of a monumental electricity pylon fabricated in wood, its form twisted and drooping in a state of impotency. The structure is accompanied by a twisting rope protruding from one of its arms with a wax-cast insulator attached to the end. In the background a soundscape plays, an electrical distortion and low hum building up over the ten or so minutes it lasts to a crescendo of bleeps and buzzing, it evokes imagery of this structure twisting, bending and creaking. The ambition in this piece and its command of the space it inhabits is what makes it stand out in the show and will no doubt make an impact in the RSA New Contemporaries exhibition next year for which it was selected.

Another of this year’s crop selected for the New Contemporaries, alongside Teague, Hunter and Gray is Fine Art’s Koren Dumbleton**. Her macabre installation Lavinia consists of an atmospherically lit space inhabited by a number of abstract torsos suspended from two sets of monkey bars. The grim spectacle brings to mind both an abattoir and a children’s playground and the result is unsettling.

Koren Dumbleton

Lotte Fisher

Amongst the other awards and opportunities up for grabs at the degree show is the Scottish Sculpture Workshop’s Graduate Residency award and this year it was granted to Fine Art’s Lotte Fisher. Stepping into Fisher’s space you are confronted by a narrow corridor flanked by wooden panels, the low ceiling forces you to stoop slightly as you emerge into a bright space occupied by miniature houses and the small figures who seem to occupy them. As you turn around to observe your entrance to this fantastically whimsical world the bulk of Fisher’s work is revealed in what appears to be a hillside growing out of the gallery wall. Dotted with more small scale structures, sculpted animals and mounds of moss this work was definitely a crowd favourite on the opening night.

There are many and more works on display which are worthy of their own reviews and these are but a small selection from them. The show is on until the 31 May and I would urge you to go along and take in all the hard work these talented bunch have put in over their four years. For more information, visit here.

For more about Kieran Milne, view his website here.

*See more work by Struan on Central Station here.
**Koren wrote last year’s DJCAD Degree Show review which you can view here.

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