There’s something attainable across the airwaves.

“We have a secret hidden group on Facebook where we exchange ideas but its nothing compared to a good chat over the phone.”

Most of the time Kimbal seems to be away performing in various countries – forever simplifying his acts so he can travel lightly with a recording device (I can usually tell when he’s not in the UK – the dialling tone is different – sounds like he’s engaged most of the time or perhaps somewhere unattainable).

I got to thinking how Kimbal’s work fits in to this strange beast that is ArtEvict. The nature of the spaces that are revealed each month bends towards an ephemeral approach – an ad-hoc deliberation in what is made and performed. Today’s telephone conversation came to a conclusion: Kimbal takes away, tidies up his ideas – he packs himself up to hitch hike to another land where he straps himself to a stranger. Then I come along and make a piece of installation art where I want props and sounds and flashing lights – basically making a mess.

At some point we have to reach equilibrium and perhaps this will happen in the performance itself. Certainly my drawings seem to be acting as modes of communication – they seem to strike ideas within the nomadic man’s mind.

So I also got to thinking of how even in Kimbal’s stationary habitation – a warehouse/studio/flat/bed-living working area in north Hackney – is also a place of ever-changing racing activity. I want to install myself in this and build my ideas next to his self-made MDF bedroom. To this idea I thought of a tent made of paper to match his medium density box.

This image is that which is drawn by another the person on shift before me. It looks like a tent or a pyramid. A hidden space within a hidden space is perhaps a make shift studio constructed upon arrival in London through collaborative exercise and conversational/visual exchange. It can also be a drawing tool or a habitable or moveable studio.

Find out more about Richard Taylor here.

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Hidden Spaces – a month of blogs by members about their hidden space – whether they be real, imagined, unbuilt, cut-off from the public, demolished, spiritually significant or politically sublimated. Read more from the series.