What could we have as our Facebook, Google+ & Twitter cover images? How could we possibly come up with something as good as any of the work produced by the brilliantly talented community of creatives we have at Central Station? Hang on a minute…

We’re giving you the opportunity to be Central Station’s ambassador, with the unmissable top spot on all of our social pages. Every month we’ll change the image and choose from a previously featured work to find the next “face” of Central Station. All images will be credited to the artist and there’ll be a link to the original featured work spot on our website.

To be considered, just follow us on Behance, Cargo Collective, Flickr and/or Vimeo. We’ll follow you back so that when we choose featured work we can browse your portfolio. It also means that we’ll get updates whenever you upload new work.

Email us if you have any concerns or aren’t sure how to join us.

Previous social cover images:
1. Cities by Atelier Olschinsky [winner of the Central Station 50x50 project]
2. Leg Bound by Sam Spreckley
3. Postcards For Fernando by Alan Wilson
4. COOKIES n BOOBIES by Conzo Throb
5. Optical Nerve by Natalie Kenna
6. Untitled by Lesley Ann Ercolano
7. Bend, Oregon by Sam Brewster
8. Mon Oncle by Andrew Lyons
9. Lucy in the Sky with Diamonds by Lesley Barnes
10. Christian by Martin D Barker
11. Transition Collective #002 by Luna Jungeun Lee
12. Negative Experiment by Abdul Hye
13. Norway Infographic by Connor Campbell
14. Untitled by Jim Cowan
15. North by Stephen Edwards
16. Thorn by Ben Risk
17. Table Top Goniometer by Jack Sawbridge
18. Never Seen Burnham by Richard Broomhall
19. Morning in the city by Mika Kuusela
20. Behold! The earth giant has risen by Matthew Carey Simos
21. Theatres on the Bay, Singapore by Stuart D. Maitland
22. Roam & Seek t-shirts by Caroline Tomlinson
23. Venice Double, 2013 by Jonny Lyons
24. Illustration by Cosmic Nuggets
25. Paper Sculpture by Sara Cunha
26. Concealment film still by Josh Murfitt
27. Ghost Web by Ben Bainbridge
28. The Flight by Gemma Cotterell
29. She wears a lion on her heart by Karine Fortier
30. Incredible Places by Matteo Romellini
31. Tristag by Peter Carrington
32. K A L E I D O S C O P E by Sylvie McGowan
33. Sarah by Christopher Fernandez
34. Untitled by Samantha Wilson
35. The Saddle by Richard Gaston
36. Untitled by Joe Crogan
37. Dowel Repeat by Kirsty Macleod
38. Composition K12 by Jen Devonshire
39. Portrait by Amy D’Agorne Craghill
40. Photograph by David Dear
41. Paper Collage Illustration by Isen Aliji
42. Androgyny by Samuel Jones

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I’m Amanda Robertson and I am currently going into my fourth year of studying Film, Media & Marketing at the University of Stirling. This summer I had the opportunity to work with Summerhall TV and help film and edit videos covering the Edinburgh Arts Festival.

The beginning of the Arts Festival in Edinburgh was very exciting. The first thing we filmed was Charles Avery’s Tree. The amount of media covering the unveiling was slightly more than I ever imagined for Waverley Station. However, it was nice to be able to be involved in filming such an important figure in the arts world.

I particularly enjoyed filming in the Dovecot Galleries. Firstly, the art work by Kwang Young Chun was incredible. His detailed work was fun to film and it meant that we could be slightly more creative with the camera to fully capture the intricacies of his work. As it was the launch of the Arts Festival, Dovecot Galleries was filled with different media people as well as art enthusiasts. I was very aware the whole time we were filming that I was most likely photobombing other people’s pictures and videos of the event. I hope they filmed my good side.

In general, the whole process of filming various significant artists can be quite daunting, as well as creating work that they are happy with. However, I feel like along the process I learnt so much about the artists and their work and how to capture the best version of each exhibition. The arts festival is a busy time in Edinburgh but it is extremely exciting. By experiencing the festival from behind a camera, I feel that I was involved in some way in the creative excitement surrounding the city.

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Luci Wallace, Project Coordinator for Summerhall TV, an arts news organisation based in Summerhall. We make 2 – 3 minute videos covering contemporary arts news and events around Scotland. I coordinate what we shoot, and the content that appears across our websites artinscotland.tv, summerhall.tv and writerstories.tv, as well as our social media channels.

We started the day by visiting Charles Avery’s Tree no.5 at Waverley Station’s concourse. Amidst the hustle and bustle of the press, we grabbed the artist for a quick chat about his work. It was really interesting to see a piece of work like this in the station, and watching members of the public interact with it.

After that, it was a quick jaunt up the road to Dovecot Studios for the Art Festival’s press launch and to interview the festival’s director Sorcha Carey, about the programme. We were introduced to the beautiful work of Korean artist Kwang Young Chun, and spoke to his British representative, Grey Skipwith, about the work as well. One thing I’ve learned from press meets is to always be prepared for extra interviews!

We then made our way down to the Fruitmarket Gallery to meet Phyllida Barlow and talk about her newest exhibition, Set. The work was incredible, filling the lower and upper galleries, and completely transforming the space. We had a lot of fun filming this one as there was so much, and it was great to speak to Phyllida about her work.

Once filming was wrapped, it was back to the office to upload our footage and get to work on editing. A lot to digest but a great chance for Amanda to put her editing skills into practice.

A big thanks goes to Allison Thorpe and Victoria Mitchell from Sutton PR, who pulled together the interviews with Charles Avery and Sorcha Carey, Lizzie Cowan and the Dovecot team for introducing us to Grey Skipwith, and Louise Warmington at Fruitmarket for arranging our interview with Phyllida Barlow.

Find out more about some of the exhibitions currently on at Summerhall:

The Thermos Museum | until 31 August

David Sherry : One Million Years of Laughter | until 5 October

Glyn Thompson : A Lady’s Not A Gent’s | until 5 October

For more art videos, check out SummerhallTV Director Dave Rushton’s Top 5 selection from their archive on Central Station here.

More: Website | Vimeo | Facebook | Twitter

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Dundee Commons Festival is a week-long celebration and investigation of the commons as it relates to Dundee. There will be daily talks, bread-making, walks, workshops, exhibitions, and performances.

We ask, what would Dundee look like, sound like, feel like, taste like, and smell like if the city were a commons? How would we relate to one another? What values would sustain us? And what sort of support structures would we need to create a common future?

At a time of immense change, both locally and globally, the festival provides a framework to join together, reflect on, and respond to some of these questions.

All events are free and everyone is welcome.

Morning workshops and weekend events are suitable for all ages – with appropriate adult supervision or consent.

The hub space – and many of the events – can be found at Roseangle Commons, Dundee West Church, Lower Hall, 132 Perth Rd, DD1 4JW – enter via Roseangle Arts Cafe.

Selected highlights:

Monday – Friday 9.30 – 10.15 | Roseangle Commons
Daily Bread with Claire Briegel
An opportunity to make bread together and reflect on the day’s theme.

Monday 24 – Friday 28 August 13.00 – 14.00 | Roseangle Commons
Lunchtime talks

Monday 24 August: Andy Wightman, Land as Commons – How Half of Scotland was Privatised.
Tuesday 25 August: Mike Small, Food as Commons – Creating a Restorative Food Culture
Wednesday 26 August: Lesley Riddoch, People as Commons – Community Empowerment and Local Democracy
Thursday 27 August: Cornalia Sollfrank, Digital Commons – An Inspiration for New Forms of Sharing and Collaboration in the Arts
Friday 28 August: Gesa Helms and Leigh French, Art as Commons – Culture, Communication and Democracy in Scotland

Monday 24, Wednesday 26 & Friday 28 August 14.30 – 17.30 | Discovery Point
Design in Common Action
Workshops offering participants the opportunity to engage in the co-design and planning of Dundee Waterfront Development.

29 August 11:00 – 21.30 | City Square & Roseangle Commons
Public Space and performance
An all day dance and performance event in Dundee City Square followed by an evening of poetry, spoken word and dance entitled Flow! Commons.

Monday 24 – Sunday 30 August | Roseangle Commons Gallery Space
If the City were an Orchard by Sarah Gittins
An exhibition of screenprints exploring the biodiversity commons of an Orchard City.

For the full programme and to sign up to workshops, visit Dundee Commmons Festival.

More: Website

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Find more events in our weekly bulletin here.

Summer is upon us yet again and there has been a determined buzzing in the corridors and rooms of Gray’s School of Art meaning it is once more the week of the Degree Show.  20 – 27 June celebrates the magnificent 130 years of positive impact and inclusion Gray’s holds within the local community – and far beyond. Promoting and preparing the individuality of each student, the show is a rich culmination of the eccentric, the skilled, and the beautiful – not to be missed.

On entering the building we are immediately met with the works of the three dimensional design department. Stopping by the pieces created by Hannah Rachel Morrison a wave of emotions are brought to life by her sea-scape inspired vessels. As if on a beach-combing adventure, the collection of hand thrown ceramics with ethereal, shimmering pools of blue green glass collecting in their bases, alongside kiln formed glass vessels, evoke a sense of discovery and sentiment. It is incredibly difficult not to get hypnotised by a video set alongside the collection, showcasing the process of throwing on the potter’s wheel – reiterating the craftsmanship, skill and time that goes into each creation.

Hannah Morrison

As we move around each display, we embark upon the slick and well-oiled machine that is the product design department. Surrounded by innovative ideas, I was struck by an installation from Ross Marshall which focuses on upcycling and the responsibility of today’s designers. Constructed from re-purposed materials, the fun and quirky piece gently coaxes us into considering our impact on the planet as consumers and producers. With an element of art and design’s influence both present and future now at the forefront of our minds, we continue on to explore the labyrinth of the school’s corridors.

Carrying on through the building we finally come to the weird and wonderful world of sculpture. This section of the show is well worth exploring and is sure to surprise – there is even a car on display. Don’t forget to continue on across the courtyard where more students of Contemporary Art Practice display their hard work such as sculptor David Mitchell’s poetic representation of the beauty and intrigue of nature. Focusing on the nobility and strength of man, Mitchell’s work has a highly traditional feel. His busts are created using bronze, terracotta and plaster and each sculpture holds a strong presence in the room whilst revealing a vivid sense of the character it portrays.

Ross Marshall

David Mitchell

In the main hall, the Graphic Communication students serve up work that makes us laugh, cry and think twice. Work includes the charming illustrations of Holly Green. Aimed at children, Green has used her characters to beautifully tell a story and they come alive as decorative forms on a range of children’s products.

Holly Green

Be sure to save time for making your way to the top floor of the building where Painting and Fashion and Textiles can be found. I strongly recommend getting absorbed in the explosion of colour, life and narrative that fills each room and corridor. Be mind-boggled by the surrealist art and Rogue Taxidermy of Rebecca Gallacher; be intrigued by the patterns and depth of colour present in Erika Doy’s Bio:Morphology garments; lose yourself in the fluid vibrancy of Steven Tupper’s expressions where the smell of cut lino still fills the air…

Stephen Tupper

Erika Louise Doy

One of the final displays to be discovered was the work of Fine Art student Heather Macinnes. Each canvas conveys vibration, optics and a mathematical order of pattern – whilst also challenging intuition. These mesmerising sequences – created by scraping a layer of black ink away in part to reveal the colour underneath – draws the viewer in quietly. And in a similar way, this review barely scrapes the surface of what Gray’s has to offer this year. This inviting chocolate box of art and design welcomes you to come along and be inspired whilst celebrating the hard work and commitment put in by each and every student.

Heather Macinnes

Gray’s School of Art Degree Show 2015 continues until this Saturday 27 June in Aberdeen. Find out more information online here.

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See more Degree Show reviews on Central Station here.

As the offspring of a textile artist and an engineer, the combination of aesthetic expression and methodical problem solving led me to a career in graphic design, and is without a doubt where I belong. Pre-degree, I came from a more art-focussed background, and my course at University of Cumbria embraced this, and enabled me to develop both a conceptual and analytical way of creative thinking, whilst providing the perfect setting to explore the expansive subject of graphic design. This was a great starting point, as to me, concept is key, and I strive to produce intelligent, effective and conceptually inspired visual communication at all times.

Versatility is also something I strive for in my creative output. I don’t have what you’d call a definable ‘style’— which I’ve found is both a blessing and a curse — but I like to embrace the fact that I don’t. I aim to start each design brief with a clean slate and tackle the problems within. I usually find that a functional and effective visual treatment emerges from the creative process, without having had a stylistic approach in mind to begin with. This isn’t to say that all design briefs can, and should be approached this way, this is just how my process has evolved and how it works for me.

Manifesto Zine Contribution

East End Transmissions Exhibition Identity

Don’t Mention Dementia

I am very passionate about culture and the arts, and work on a freelance basis with cultural based organisations and individuals (as well as for clients and on projects outside of this sector) but I definitely get a buzz when I can combine my two passions — design and culture. Art and culture are intrinsic to life. Without the resources of our libraries, museums, theatres and galleries, and the creative expressions of music, literature and art we would find ourselves static and sterile. It is because of this I aim to provide these organisations with the ability to engage and interact with audiences through the power of design, to not only keep the interest in the institutions alive and economically strong, but to share, stimulate and enlighten our social well-being.

Being freelance is fantastic. I get to work within my own creative space one day, then join another design team elbow-deep in a project the next. I have to be quick and able to pick up the elements and create something brilliant, and then head back to my desk at home, to be called upon again for another challenge over in Edinburgh the following day. No two days are the same and it’s not something I would change. I love a good challenge and get a kick out of working under pressure, so I feel pretty fortunate to be in an industry that generously serves both. In addition to my freelancer lifestyle, my current alter-ego is as the sole designer at The List, working across both their website and bimonthly magazine. The most recent issue was out on 3 June, so get your copy of this snazzy dose of arts and entertainment news! (#shamelessplug)

The List

Having the odd personal project on the go is also definitely an asset. I flit between digital and print in my day-to-day work as a designer. I do a healthy dose of front-end development as well as graphic design, so my side-projects tend to encompass them both as well. Currently out and about in the public sphere on my Etsy shop thingsbyJD, are a series of Risograph prints and postcards, which were influenced by the artwork I produced for the Bauhaus: Art as Life exhibition at the Barbican. They were the outcome of an exploration of composition and colour, and my first hands-on experience of the riso process. The quality of this type of print is something special, and one I recommend having a go with!

Risograph Prints

Composition Postcards

To me, being a designer is not just a career choice, it’s a way of life. Design is about communication, and by tuning in to the details of the everyday; from colours to textures, from sounds and interactions, and by appreciating both the visceral and the visual, I attempt to draw on all these experiences and infuse them into my design to communicate in strong, beautiful and effective ways.

See more work by Jen on Central Station here.

More: Website | Instagram | Etsy | Twitter

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Artist profiles delve into the psyche of the artist talking about daily life, inspiration & art. Read more profiles here. 

Interested in writing one? Contact us

Applications for Glasgow International 2016’s programmes are now open to both international and Scottish artists based in Glasgow.

Applicants are encouraged to be ambitious in their proposals for projects, events and exhibitions which are additional to their current programmes. Glasgow International exists to support artistic activity across the city and further details about our aims can be found in the handbook.

There are four strands you can apply to – Supported, Open Glasgow, Open Glasgow Bursary and Across the City. These are explained in more detail below.

Successful proposals are selected by the Director in consultation with Glasgow International’s Artistic Advisory Committee. Open Glasgow & Bursary will be selected by a small panel from Glasgow and further afield.

SUPPORTED PROGRAMME | Deadline: 1 June

The Supported Programme is a strand where organisations, groups or individuals can propose projects, events and exhibitions and request financial support from Glasgow International. Organisations need to demonstrate how this activity will be additional to their current programme, projects you would not otherwise be able to undertake.

OPEN GLASGOW | Deadline: 1 June

Open Glasgow is a fund specifically aimed at individual artists and curators to propose a project for Glasgow International. The total fund for Open Glasgow is £15,000 and this fund will be split across a number of projects as in previous years.

Artists should be currently based or have been educated in Scotland and should have at least 3 years professional experience.

OPEN GLASGOW BURSARY | Deadline: 1 June

The Open Glasgow Bursary is an award of £2,000 for a recent graduate or postgraduate who graduated two years or less from art school at the time of the festival in 2016.

Artists must be currently living or working in Glasgow and have studied for either an undergraduate or postgraduate degree in Scotland.

ACROSS THE CITY PROGRAMME | Deadline: 31 July

Glasgow International will consider proposals for any additional exhibitions, events, performances. Across the City programme proposals will not receive funding from the festival but form an integral part of the Glasgow International programme.

For more information and to apply online, please visit Glasgow International 2016.

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One of Manchester most well known and loved arts venues, Cornerhouse is set to go HOME this spring. Merging with the Library Theatre Company into one building, you’ll be able to see original new work in contemporary visual art, theatre and film under one roof.

HOME exterior © Mecanoo

HOME exterior, February 2015

Designed by Dutch architects Mecanoo, HOME houses five cinema spaces, two theatre spaces, 500m2 gallery space, three café spaces, a contemporary function room, a bookshop and an outdoor terrace.

Douglas Coupland, installation view of Slogans for the 21st Century 2011-14 in Douglas Coupland’s everywhere is anywhere is everything, Vancouver Art Gallery 2014. Photo by Rachel Topham

For the first in a year of visual art exhibitions, projects and publications exploring the theme of Transactions of Desire, HOME presents The heart is deceitful above all things which is a group exhibition on display from 22 May – 26 July. See new work from artists including Jeremy Bailey, Declan Clarke, Basim Magdy (commission produced by Art in General in collaboration with HOME) and Jessey Tsang alongside existing work from Douglas Coupland, Irina Gheorghe and Wu Tsang amongst others.

The Funfair, credit Graeme Cooper

If theatre’s more your thing, there are three HOME theatre productions to look forward to including the world première of The Funfair, a new adaptation by Simon Stephens which sets the break-up of a youthful romance against the dizzying backdrop of the funfair, The Oresteia, directed by Blanche McIntyre – a radically stripped back version of Aeschylus’ masterpiece, and HOME’s Christmas production Inkheart, the UK première of a new stage adaptation of the bestselling novel by Cornelia Funke, directed by Walter Meierjohann.

HOME interior cinema space, February 2015

The cinema space will play host to a Music and Film season to include archive and experimental footage accompanied by soundtracks from Manchester’s most innovative musical talent. The first of which will be Lonesome directed by Pál Fejös with a live score by neo-classical composer Robin Richards accompanied by musicians from the Royal Northern College of Music on 24 May.

Also in the cinema will be this year’s ¡Viva! Spanish and Latin American Film Festival fiesta. The annual festival presents new filmmaking from Spain and Latin America and includes New Mexican Cinema, a four-day celebration of the best in film from Mexico.

HOME is situated at the First Street Development, just off Whitworth Street West and very close to Oxford Road and Castlefield, Manchester. For a full programme of events and exhibitions at HOME, please visit here.

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Edinburgh Art Festival has just announced its programme for 2015. This year sees international artists introduced to Scottish audiences for the first time including Americans Tara Donovan and John Chamberlain, Korean artist Kwang Young Chun and the late German artist Hanne Darboven. There will also be the chance to see new works by artists Toby Paterson, Sara Barker, Charles Avery and Marvin Gaye Chetwynd as well as early career artists from the open call still to be determined. We got in touch with EAF’s Director, Sorcha Carey to find out more.

Portrait of Sorcha Carey

If you only had one day in Edinburgh on a limited budget, what five exhibitions would you recommend not to miss?
Most of our programme is free, and Edinburgh is supremely walkable, so there would be a whole host of options. If the weather’s nice, I’d recommend a morning walk down to Inverleith House to see the John Chamberlain, and then continuing on along the Waters of Leith to Edinburgh Sculpture Workshop to see Toby Paterson, with Rhubaba just around the corner. After lunch in town, you could take in Hanne Darboven at the Talbot Rice Gallery, and Kwan Young Chun at Dovecot. Then if you’re super keen, you could pop into Phyllida Barlow, at the Fruitmarket, conveniently located just next to the train station (and the café does great cakes, if you’re in need of a pick me up).

Inverleith House: John Chamberlain, ‘Miss Lucy Pink’, 1962. Painted and chromium-plated steel. 47 × 42 × 39 inches (119.4 × 106.7 × 99 cm) Private collection. © 2015 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York. Photography by David Heald. Courtesy Gagosian Gallery.

Dovecot Studios: Kwang Young Chun, ‘Aggregation 06 – JN028’, 2006. 250cm diameter. Mixed media with Korean mulberry paper.

This is your fifth year as Festival Director. What’s the most important thing you’ve learned since your first EAF festival and how has your approach now changed?
I remember coming across that wonderful Beckett quote after my first festival – Try Again, Fail Again, Fail Better – and it has kept me company since then. It speaks to me of that tightrope you walk, wanting to do better each year, but also needing to be ready to fail. I have a much greater understanding of our context now – both the city itself, and what it becomes in August. And one certainty about festivals is that they will always surprise you – each year has its own energy, and at a certain point you have to let go and allow the festival be what it wants to be that year!

The festival seems to encourage works which sits outside of the traditional gallery space. Can you give us a preview of what visitors might expect on Edinburgh’s streets?
Programming work for public spaces is at the heart of what we do – it’s one of the ways in which we try and make contemporary practice more accessible, as well as to engage in a lively conversation with our context. Last year, we were fortunate enough to work with the Indian curator Vidya Shivadas, and something she said to me on one of her visits really stuck with me, and has provided the inspiration for this year’s programme. ‘Sorcha, you live in a picture postcard‘, she said. There are definitely moments when Edinburgh feels like more an illustration in a book than a real place, and this year’s programme explores that tension. There’s a strong strand in contemporary practice, of artists who create quite self-contained worlds – they are entirely invented, but they provide really important ways to think about and reflect on real lived experiences. So visitors to Edinburgh in August will have a unique opportunity to encounter a series of fictional worlds in a city which itself keeps one foot in the world of the real, one in the world of the imagination (the mad god’s dream, as Hugh MacDiarmaid described Edinburgh).

Fruitmarket: Phyllida Barlow. Installation view: dock. Tate Britain, London, 31 March – 19 October 2014.

Ingleby Gallery: Charles Avery, ‘Detail of Untitled (Dancers outside the MoA, Onomatopoeia)’, 2012. Pencil, ink, acrylic and gouache on paper. 83.5 x 114 cm (image size). Private collection. Image courtesy of the artist and Ingleby Gallery, Edinburgh.

Christine Borland, Craig Coulthard and yourself will select a minimum of three early career artists from the open call. What are you looking for from the applicants?
We really want the festival to provide more opportunities for artists trying to develop a full-time practice in Scotland, and our new platform for early career artists is one way in which we are trying to support this,
I can’t speak for my fellow selectors, but I’m looking forward to being surprised, to encountering new work and approaches that I’ve not seen before, and having the opportunity to share that with our audiences.

As the only annual Scottish international contemporary art festival, how does this year’s festival address Scotland’s cultural heritage?
One of the things which makes our festival programme so unique, is that we are not exclusively focussed on contemporary art. While this is definitely one of the core strengths of our programme, we also always have a really strong range of historic shows also. So this year, as well as new work by contemporary practitioners, both the Queen’s Gallery and City Art Centre are showing survey shows of historic Scottish work stretching right back to Ramsay and Wilkes. I think this provides a really interesting context, to see the latest generation of Scottish artists against a backdrop of over 200 years of extraordinary art making.

A festival on this scale with anticipated audience figures of over 300,000 must take its toll. What are your plans for 31 August and when do start planning the 2016 festival?
Yes – September is definitely a time for catching up on sleep (and re-reading Beckett!). We’ve already started planning for 2016, though as ever, there’s still a lot to do…

The festival runs for one month this summer from 30 July – 30 August. See the full programme online here.

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Looking at what Art & Design education should or could be, Parallel School encapsulates the idea of non-institutional, self-led education. The aim is to connect people of different backgrounds from around the world to share their knowledge with one another.

A truly international concept, Parallel School has previously taken place in São Paulo, Berlin, Glasgow, Moscow, Paris and London, with an “each one teach one” system, meaning all participants are equally teachers and students. Guests and lecturers from different disciplines are also invited to complement the workshops.

The most recent Parallel School event was in Brno as part of the 2014 Biennal of Graphic Design. You can take a look at the journal documenting their workshops here.

Lookout for Parallel School happening near you or you can submit your own idea for Parallel School here.

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The Culture Trip is a website which details the best art, food, culture and travel found in every country. Based in London, the site also recommends books and films for each destination. With contributors from over seventy countries, Culture Trip focuses on getting inside information whether it’s architecture, local galleries or traditional food.

From local news to cultural calendars, the site is a one-stop comprehensive guide that works as a source of information before and during travels. For those filled with wanderlust, it’s also an excellent source of inspiration for future holidays.

Before going on your next trip, take a look at the Culture Trip here.

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For more creative delights we’ve Spotted on the web take a look here.